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Intellectual Property

Copyright

Copyright comes up when someone has made something — a photo, a song, code, a manuscript, a design — and wants to know who controls it. Usually that is the person or company that made it, but not always.

Reviewed

01 GUIDE

Copyright: what usually happens

What it covers, and what it leaves open

Copyright protects original expression once it is fixed in some tangible form, whether on paper, in a file, or in a recording. It does not protect ideas, facts, methods, or systems, so a competitor can usually describe the same concept or follow the same process in its own words. Names, titles, and short slogans generally fall outside it too, and those are usually trademark questions. Protection arises without any filing, although registration with the U.S. Copyright Office affects what you can do in a dispute. The law also permits certain uses without permission, fair use being the most familiar, and whether a particular use qualifies depends heavily on the facts rather than on any percentage or rule of thumb.

Who owns it

The author is usually the first owner. When an employee creates something within the scope of the job, the employer is generally treated as the author instead. Independent contractors are different: their work usually stays theirs unless there is a written assignment, because the work-made-for-hire label applies to commissioned work only in limited categories and only with a signed agreement. This is where many businesses discover that the logo, the website code, or the product photos they paid for were never transferred to them. Co-created work raises its own questions, especially when collaborators never discussed ownership. Material generated with artificial intelligence adds another layer, since the Copyright Office has taken the position that protection depends on human authorship.

When it is worth talking to a lawyer

People usually reach out before signing a contract that transfers or licenses rights, after finding their work used without permission, or after receiving a claim about something they published. Each calls for different preparation. For ownership questions, bring the agreements, invoices, and messages that show who made the work and on what terms. For a use you did not authorize, keep a record of where it appears and when you first noticed it. We use the first conversation to work out what you actually own, what you are free to do with it, and whether registration or a written assignment should come before anything else.

02 ATTORNEYS

Who you would be working with

Attorneys at our New York and Washington, D.C. offices handle matters like this one.

05 HOW WE WORK

Client-centered service across jurisdictions

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We deliver coordinated and effective legal services to our clients, utilizing our extensive legal resources and experienced attorneys in our well-integrated global network. Through our Washington D.C. and New York offices, together with our alliance

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Our attorneys are experienced in both domestic and international matters and, with fluency in various languages, provide clear and consistent communication at every stage of your legal process.

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Client service lies at the heart of our operations. From the initial consultation, we prioritize understanding your situation, listening to your goals, and providing regular updates and strategies tailored to your individual case.

Multidisciplinary & Efficient Solutions

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06 OFFICES

Where we meet clients

Consultations are available in person or remotely.

New York

285 Fulton Street, New York, NY 10007
(855) 529-7557

Washington, D.C.

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(855) 529-7557

Los Angeles

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(424) 561-7557

Attorney Advertising. This page is general information about copyright and is not legal advice. Reading it does not create an attorney-client relationship. Outcomes depend on the facts of each matter, and prior results do not guarantee a similar outcome. Laws differ by state and change over time.